189. Every single story nature tells is gorgeous. ~Natalie Angier

How little note is taken of the deeds of Nature!
What paper publishes her reports?
Who publishes the sheet music of the winds,
or the written music of water written in river lines?
Who reports the works and ways or the clouds,
those wondrous creations coming into being
every day like freshly upheaved mountains?
And what record is kept of nature’s colors – the clothes she wears
– of her birds, her beasts – of her livestock?
~John Muir

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When life is lived close to nature, one sups at banquets the earth lays upon sacred plains and holy, high altars.  These moving, kaleidoscopic feasts are found in or on waters, woods, hills, mountains, meadows, fields, deserts, even rocky, jagged cliffs.  Therein or on the planet’s vistas and colors bedazzle the eyes; her shapes and textures fascinate the hands; her scents and fragrances thrill the nose; her rhythms and symphonies seduce the ears while through it all and all the while the human heart is comforted by God’s faithfulness and His divinely appointed seasons.  Simply put, under the sun, moon, and stars and in haunts where breezes blow, grasses grow, and waters flow the human spirit and the soul are nurtured while his life is sustained by the Creator’s grace and lavish spreads.

He (God) performs wonders that cannot be fathomed, miracles that cannot be counted.  ~Job 5:9  ✝

16. The trees reflected in the river– they are unconscious of a spiritual world so near to them. So are we. ~Nathaniel Hawthorne

A Ming vase can be well-designed
and well-made and is beautiful for that reason alone.
I don’t think this can be true for photography.
Unless there’s is something a little
incomplete and a little strange,
it will simply look like a copy of something pretty.
~John Loengard

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The annual beauty in a garden once spent is gone forever, except in memory, if not captured in some way.  A camera is one of the ways we who love nature’s fleeting glory take it captive.  Unlike Loengard, I believe photos can be more than just an uninteresting copy of a beautiful thing.  For example part of what you see in the photograph above started out as that of a single rose.  However, as an experiment with some computer technology, I turned the image into something “a little strange,” as Leongard suggests, and it added another level of interest.  If one looks carefully at the altered image, fragmented pieces of what used to be negative spaces in the original photograph now have merged into engaging patterns, and so what can be seen raises questions about how much one really sees.  “While there is perhaps a province in which the photograph can tell us nothing more than what we see with our own eyes, there is another in which it proves to us how little our eyes permit us to see,” claimed documentary photographer and photojournalist, Dorothea Lange. So it is that Hawthorne’s idea could be applied to my rose or his trees or to the reflection of anything, and it would speak a profound truth. We often don’t see what is right under our proverbial noses.  The eternal underlies everything mankind sees, tastes, hears, touches, and smells, so much so that all things seem to quiver from the Divine energy emitted from them.  But it’s only when the Lord’s demure presence is acknowledged that it becomes more and more keenly perceptible.

So we fix our eyes not on what is seen, but on what is unseen. For what is seen is temporary, but what is unseen is eternal.  ~2 Corinthians 4:18   ✝